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Article Personal ADORNMENT
Article The TOLITA
BAHIA
Musical INSTRUMENTS
Jama Coaque JAMA-COAQUE Regional Development and Integration
Capuli Capulí
Piartal PIARTAL (Tuncahúan), TUZA (Cuasmal)

Coquero The “Coqueros” of Capulí
Panzaleo PANZALEO
Puruha PURUHÁ
Valdivia VALDIVIA
Venus of Valdivia, Venus de Valdivia THE VENUSES OF VALDIVIA
Article CHORRERA
Article GUANGALA
Article SEALS

All articles are written by some of our team co-workers and people related with our store, products and publications.


GALLERY & MUSEUM personal collection

Olga Fisch

SEALS

Chorrera

From the Regional Development Period (500 B.C.E. – 500 A.C.E.) onward, the production and use of seals, and stamps used to make personal decorations like tattoos, was spread, and also perhaps the decoration of textiles. Today these objects are found mostly on the north coast, and to a smaller degree in the mountains.

They were generally bathed in vegetable or mineral-derived paint and then imprinted on flat surfaces. They were formed out of clay and sculpted before the firing process.

The seals, round or cylindrical, had various designs: human, vegetable, animal, and, especially among the Jama-Coaque culture in Manabí Province and the Tolita in the province of Esmeraldas (500 B.C.E. – 500 A.C.E.), geometrical and highly abstract designs. In later epochs the Manteño-Huancavilca (500 -1532 A.C.E.) designed flat seals in rectangular and triangular shapes with handles.

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